Wordgasm is a portmanteau of words and orgasm, "word whoring" to put, an intellectual ejaculation of words and lexicons and sesquipedalians and googlewhacks and such, where cliches are strictly prohibited and stereotypes are burnt at stake. Nihil sub sole novum, the Ecclesiastes say; there is nothing new under the sun. It is only but the words that grant the world a whole new spectrum of perception. And the point is? I have no idea.
Call me Tobey. I'm twentyish, with a gender that involves a vagina. I live in Quezon City. And I go to the University of the Philippines, taking an academic course that requires a large vocabulary and stupendous amounts of imagination. How do you get that? You quaff a gallon of black coffee and gawk at your empty bank account. That would be enough inspiration. More »
 
10.11.09 - 21:46

Warning, this is an academic reaction scribbledeeeeeeeegook. And holy fuck yes, I have Shakespeare this semester.XP

My very first real encounter with Shakespeare was through a website called Shakespearean Insult Kit a couple of years ago. The objective is to combine words from each column to create your own biting wisecrack. The first ten rows include:

Column 1 Column 2 Column 3
artless base-court apple-john
bawdy bat-fowling baggage
beslubbering beef-witted barnacle
bootless beetle-headed bladder
churlish boil-brained boar-pig
cockered clapper-clawed bugbear
clouted clay-brained bum-bailey
craven common-kissing canker-blossom
currish crook-pated clack-dish
dankish dismal-dreaming clotpole
dissembling dizzy-eyed coxcomb
droning doghearted codpiece

Example: My neighbor's sex slave is a droning boil-brained boar-pig.

Right away you can surmise this Shakespeare person was a man of profound vocabulary, can whip his personal neologies out of thin air, and he might have been the greatest smartass who's ever lived.

With the insult kit, you can tell this Shakespeare pompous asswipe person can express one idea with so many words and so many different variations that permuting them would atrophy your brain. He's a bottomless well of novelty, to put. And perhaps this is what makes his works fresh to whatever age and time, making him a transcendental, ageless, and immortal smartass.

Prior to this I've seen his plays Hamlet and A Midsummernight's Dream on stage, and found them all rubbish because I didn't understand a thing. Pop culture turned his Romeo and Juliet and "To be or not to be" into household terms. Beyond these, rumors of his "greatness"--not only in the field of smartassness--came from authority figures, them high school teachers, film directors, critics, writers, scholars, the janitor, etc., who all chewed Shakespeare for us to swallow.

What makes this 16th century smartass so great?

I haven't chewed enough Shakespeare to appreciate his importance, but he must be the most popular person who's ever lived next to Jesus Christ--not that I'm saying Jesus Christ ever did live.

According to the wise guys, them authority figures, the historical Shakespeare was a 16th century simpleton with a simple brain who led a simple life, which would equate to much of the idiots that make up the universe today. This historical Shakespeare (whom I will now refer as the "historical Shakespeare") didn't have a university education or any evidence of intellectual elitism that would otherwise render him an instant wizard in the English language and literature, psychology, philosophy, politics, law, medicine, astronomy, and foreign languages, among other things; and write 38 plays, 154 sonnets, 2 long narrative poems, and several other poems, all of them exceptional, and by exceptional I mean the multiple layers of meaning, the depth of the many characters and situations, the wisdom of the lines, not to mention the rhythm and style--it's bordering on the fantastic he might as well have been divine. In the words of Henry Caldecott, Shakespeare's works are described as:

so stupendous a monument of learning and genius that, as time passes and they are probed and searched and analysed by successive generations of scholars and critics of all nations, they seem to loom higher and grander, and their hidden beauties and treasured wisdom to be more and more inexhaustible; and so people have come to ask themselves not only, 'Is it humanly possible for William Shakespeare, the country lad from Stratford-on-Avon, to have written them?', but whether it was possible for any one man, whoever he may have been, to have done so.

The historical William Shakespeare was far beyond the author William Shakespeare they couldn't have been the same person. Conspiracy theorists argue this historical "William Shakespeare" was just a facade that masked a group of eminent writers at the time. Others say the real author was just using the historical Shakespeare's name to assume a pseudo-identity. Scholars argue it really was Edward de Vere who wrote them, since his intellectual sophistication and biography mirrors those of Shakespeare's plays. Others say it was Sir Francis Bacon, who wrote most of it and lead the collaboration of writers behind Shakespeare in an attempt to erect a philosophic system that would educate men through the medium of the stage. Still, others say it was Christopher Marlowe, who had similar vocabulary and style with Shakespeare. All such speculations just point to Shakespeare as a hoax. But then again, extraordinary claims require extraordinary evidence. The evidence wasn't just enough.

Let's just say, right now, I am agnostic of Shakespeare. It is uncertain that he wrote his oeuvre, and it is just as uncertain that somebody else, or a group of people, did. Nevertheless, his name condenses a wide range of knowledge that it's as ponderous and immense as any field of critical study. How I know this, I don't know. It's just an assumption. I have yet to read his works to find it out myself.

(So okay, I am bored stiffstonedshit with the topic. You can very well see the plunge to boredom right at the very middle of this entry. Harhar.XD)

Word Up

» seb
12.11.09 - 01:49

Tne historical Shakespeare was certainly the greatest smartass there ever was,

Those who do not want to believe that a theatre owner / theatrical producer / actor / playwrite could also write great poetry tend to be academics. They need to say this to justify their strategy of self-promotion via the academe. No one makes money on poetry and it is considered bad form to be able to do so.

Of course, WS didn't really make any money on the poetry itself. He made it by writing and producing plays. He also had part interest in one of the theatres for added income, and also worked to publish official (as opposed to pirated) versions of his works. If you like watching Woody Allen movies, you would see a close parallel, though you would have to splat Woody with Oliver Stone and Steven Spielberg to get a better feel for who William Shakespeare was in today's terms. He managed to make enough money doing that to buy his father a title and retire more than comfortably.

But he was also the first literary superstar and enjoyed a wider following than any other writer in English up to that point, while in the process inventing new and novel expression in English.

And that is why we must study him.

» Tobey
12.11.09 - 15:54

Thanks for the input sebastian.

Those who do not want to believe that a theatre owner / theatrical producer / actor / playwrite could also write great poetry tend to be academics. They need to say this to justify their strategy of self-promotion via the academe. No one makes money on poetry and it is considered bad form to be able to do so.

Interesting. But how do you know this?

Anong movies yan? Penge naman ng top 3 mo. :p I have yet to get a visceral experience of his text to understand his "greatness". I've read Hamlet and The Tempest, but none of them really stuck to me bec I zoomed through them in just one sitting. haha. I am a moron. Please enlighten me. You are my savior. :p

» seb
15.11.09 - 05:02

“Interesting. But how do you know this?”
Here’s a passage from Star Trek IV (the only real comedy in the movie series)

Spock: Admiral, may I ask you a question?
James T. Kirk: Spock, don’t call me Admiral. You used to call me Jim. Don’t you remember “Jim”? What’s your question?
Spock: Your use of language has altered since our arrival. It is currently laced with, shall I say, more colorful metaphors– “Double dumb-ass on you” and so forth.
James T. Kirk: You mean the profanity?
Spock: Yes.
James T. Kirk: That’s simply the way they talk here. Nobody pays any attention to you unless you swear every other word. You’ll find it in all the literature of the period.
Spock: For example?
James T. Kirk: [thinks] Oh, the complete works of Jacqueline Susann, the novels of Harold Robbins….
Spock: Ah… The giants.

This plays on the idea that each generation of critics fails to recognize how a popular work can somehow make it to “classic” status under later critics who do not carry their biases with them. This is not quite the same case as Shakespeare, who was much admired in his day. The idea that he could not have written the plays is actually a relatively modern one dating to the 19th century. It coincided with the rise of degrees in Literature (also a relatively recent invention) and it’s understandable that critics would prefer that someone more like them to have written the plays.

If you want to see Shakespeare done properly in movies watch the three in my next post.

SU still does provide some accidental discovery, but you do have to wade through a fair amount of redundancy before finding gems. Still, those gems you do find are usually worth it. There are authors I wouldn’t have found otherwise. But what you say about the canon is correct. There’s enough there to keep you entertained for a long time without having to good looking too much.

» tine
27.11.09 - 16:39

at least you don't sound like a droning boil-headed barnacle.XD

» Azat
01.12.09 - 19:41

Help Plese

Word did you say?

Name
Email
http://
Message

help?

::