Wordgasm is a portmanteau of words and orgasm, "word whoring" to put, an intellectual ejaculation of words and lexicons and sesquipedalians and googlewhacks and such, where cliches are strictly prohibited and stereotypes are burnt at stake. Nihil sub sole novum, the Ecclesiastes say; there is nothing new under the sun. It is only but the words that grant the world a whole new spectrum of perception. And the point is? I have no idea.
Call me Tobey. I'm twentyish, with a gender that involves a vagina. I live in Quezon City. And I go to the University of the Philippines, taking an academic course that requires a large vocabulary and stupendous amounts of imagination. How do you get that? You quaff a gallon of black coffee and gawk at your empty bank account. That would be enough inspiration. More »
 
30.06.10 - 23:59

Today is the presidential inauguration of the highest moron official in the country, Benigno Aquino III. And today being a historical day for Moron History, is a holiday. Oh joy. Spent the whole day in bed reading Nick Joaquin's The Woman Who Had Two Navels.

I didn't read this book for pleasure, mind. It's part of the reading list of the Creative Writing Program in UP; the list being a selection from the literary canon in the Philippines. Composed of: 13 novels, 79 short stories, 150 poems, 21 essays, and 2 plays. All these readings for just one subject: FUCK: THESIS. :faint: Stretcher!

The Woman Who Had Two Navels reads very much like Toni Morrison's Beloved. Both thread on realism with a pinch of fantasy, or rather, schizophrenic elements--delusions, hallucinations, lucid dreams, and what have you, which rather bored me. Connie Escobar first becomes deluded that she has two navels. Whether she has two mothers or she was born twice, I haven't the foggiest thought. She simply believes herself to have two navels without actually seeing them.

The book isn't an interesting read, as it is easy to digest, discard, and move on. The novel is self-explanatory (the explanation for the problems presented are analyzed and resolved within the book) and there is nothing else to think about--which is why I haven't written anything about it. If I were to write anything about it, it would just be summarizing the entire book: Connie is a monster because her mother is a monster because they share the same men. Is all. Yawn. And Connie is schizophrenic because she's protecting herself from the harsh reality: that she and her mother are both whores. Their cunts penetrated by the same old dicks.

So?

Methinks it's rather overdramatic. And besides: I don't care. It's boring, I'm sorry Mister dead National Artist. I just don't invest emotionally in a book. Besides, why should I care about Connie? Who the fuck is she to be cared about? I rather prefer your frenzied short stories, the Tadtarin and everything, where women rule and men worship them and lick their feet erotically.XP

I feel like I just wasted my entire day. I should've just finished reading Anthony Burgess' The Complete Enderby. (I used to think the author's name was Anthony Buggress, you know, the one to be buggered.XP) But so what. Everybody in this country just wasted his day today so. Is alright.:p

Say, speaking of buggering, a novel entitled The Man Who Had Two Assholes should be published. The protagonist would have gender identity issues, or maybe split personality disorder like Tyler Durden in Fight Club. He'd live a man by day, and a buggress by night. It isn't he who is confused, but rather his asshole. And so his asshole duplicates itself, as natural selection asks for it. Like Connie, the man too believes he has two assholes but can't be sure because he can't contort himself into a yoga position that would allow him to see his own buttcrack.

10.11.09 - 21:46

Warning, this is an academic reaction scribbledeeeeeeeegook. And holy fuck yes, I have Shakespeare this semester.XP

My very first real encounter with Shakespeare was through a website called Shakespearean Insult Kit a couple of years ago. The objective is to combine words from each column to create your own biting wisecrack. The first ten rows include:

Column 1 Column 2 Column 3
artless base-court apple-john
bawdy bat-fowling baggage
beslubbering beef-witted barnacle
bootless beetle-headed bladder
churlish boil-brained boar-pig
cockered clapper-clawed bugbear
clouted clay-brained bum-bailey
craven common-kissing canker-blossom
currish crook-pated clack-dish
dankish dismal-dreaming clotpole
dissembling dizzy-eyed coxcomb
droning doghearted codpiece

Example: My neighbor's sex slave is a droning boil-brained boar-pig.

Right away you can surmise this Shakespeare person was a man of profound vocabulary, can whip his personal neologies out of thin air, and he might have been the greatest smartass who's ever lived.

With the insult kit, you can tell this Shakespeare pompous asswipe person can express one idea with so many words and so many different variations that permuting them would atrophy your brain. He's a bottomless well of novelty, to put. And perhaps this is what makes his works fresh to whatever age and time, making him a transcendental, ageless, and immortal smartass.

Prior to this I've seen his plays Hamlet and A Midsummernight's Dream on stage, and found them all rubbish because I didn't understand a thing. Pop culture turned his Romeo and Juliet and "To be or not to be" into household terms. Beyond these, rumors of his "greatness"--not only in the field of smartassness--came from authority figures, them high school teachers, film directors, critics, writers, scholars, the janitor, etc., who all chewed Shakespeare for us to swallow.

What makes this 16th century smartass so great?

I haven't chewed enough Shakespeare to appreciate his importance, but he must be the most popular person who's ever lived next to Jesus Christ--not that I'm saying Jesus Christ ever did live.

According to the wise guys, them authority figures, the historical Shakespeare was a 16th century simpleton with a simple brain who led a simple life, which would equate to much of the idiots that make up the universe today. This historical Shakespeare (whom I will now refer as the "historical Shakespeare") didn't have a university education or any evidence of intellectual elitism that would otherwise render him an instant wizard in the English language and literature, psychology, philosophy, politics, law, medicine, astronomy, and foreign languages, among other things; and write 38 plays, 154 sonnets, 2 long narrative poems, and several other poems, all of them exceptional, and by exceptional I mean the multiple layers of meaning, the depth of the many characters and situations, the wisdom of the lines, not to mention the rhythm and style--it's bordering on the fantastic he might as well have been divine. In the words of Henry Caldecott, Shakespeare's works are described as:

so stupendous a monument of learning and genius that, as time passes and they are probed and searched and analysed by successive generations of scholars and critics of all nations, they seem to loom higher and grander, and their hidden beauties and treasured wisdom to be more and more inexhaustible; and so people have come to ask themselves not only, 'Is it humanly possible for William Shakespeare, the country lad from Stratford-on-Avon, to have written them?', but whether it was possible for any one man, whoever he may have been, to have done so.

The historical William Shakespeare was far beyond the author William Shakespeare they couldn't have been the same person. Conspiracy theorists argue this historical "William Shakespeare" was just a facade that masked a group of eminent writers at the time. Others say the real author was just using the historical Shakespeare's name to assume a pseudo-identity. Scholars argue it really was Edward de Vere who wrote them, since his intellectual sophistication and biography mirrors those of Shakespeare's plays. Others say it was Sir Francis Bacon, who wrote most of it and lead the collaboration of writers behind Shakespeare in an attempt to erect a philosophic system that would educate men through the medium of the stage. Still, others say it was Christopher Marlowe, who had similar vocabulary and style with Shakespeare. All such speculations just point to Shakespeare as a hoax. But then again, extraordinary claims require extraordinary evidence. The evidence wasn't just enough.

Let's just say, right now, I am agnostic of Shakespeare. It is uncertain that he wrote his oeuvre, and it is just as uncertain that somebody else, or a group of people, did. Nevertheless, his name condenses a wide range of knowledge that it's as ponderous and immense as any field of critical study. How I know this, I don't know. It's just an assumption. I have yet to read his works to find it out myself.

(So okay, I am bored stiffstonedshit with the topic. You can very well see the plunge to boredom right at the very middle of this entry. Harhar.XD)

01.10.09 - 23:10

Just another bout of emotional existentialist whining.

It struck me just now (it struck me before but never really really thought of it real hard, I mean really) that a massive portion of my books were written by atheists. Right. All my four favorite authors are atheists: George Orwell, Kurt Vonnegut, Alan Moore, and Chuck Palahniuk (in that order :p). Other atheist writers I've read include:

  • Douglas Adams
  • Isaac Asimov
  • Ray Bradbury
  • Charles Bukowski
  • Albert Camus
  • Arthur Clarke
  • Richard Dawkins
  • Marquis de Sade
  • Daniel Dennett
  • Fyodor Dostoevsky
  • Harlan Ellison
  • William Golding
  • Sam Harris
  • Stephen Hawking
  • Robert Heinlein
  • Ernest Hemingway
  • Christopher Hitchens
  • David Hume
  • Aldous Huxley
  • H. P. Lovecraft
  • Ian McEwan
  • Friedrich Nietzsche
  • Terry Pratchett
  • Thomas Pynchon
  • Ayn Rand
  • Bertrand Russell
  • Carl Sagan
  • Percy Bysshe Shelley
  • Robert Louis Stevenson
  • Mark Twain
  • H. G. Wells

...and everybody else I missed mentioning. Did they influence me to become an atheist or did I read them just to affirm my own beliefs? Hurr. It didn't even occur to me they were atheists from the stuff they wrote but read them anyway because they were rather honest in expressing the human condition.:p Lines that melt me:

Looked into the sky, heavy with smoke and human fat, and God was not there. The cold, suffocating dark goes on forever, and we are alone. It is not God that kills the children, not fate that butchers them, nor destiny that feeds them to the dogs. It's us. Only us.
--Rorschach from Alan Moore's Watchmen

Sadly, the movie left out 90% of the graphic novel. Meh.

Why isn't there any atheistic debate in this country?? Gaaaaaaaaaaaaaaahhhhh. Oh god, I am alone.

Alone, alone, oh so alone.

:: rewind »